A Superhero Back to School Special!


Happy New Year!

Fall always feels like the start of a new year to me. The air smells like freshly-sharpened pencils, and it buzzes with the excitement of new beginnings.

To celebrate, you can snag my superhero ebooks for $0.99!


A guide to get students excited about writing + a fun new superhero whose “power” will set a great tone for the classroom.

The INVENT YOUR OWN SUPERHERO journal offers kids a chance to get their creative juices flowing–to come up with their own superhero and begin to understand what makes a great can’t-put-it-down story. Conflict, rising action, backstory, motivation, supporting characters are all elements addressed in INVENT YOUR OWN SUPERHERO. (Another benefit of learning to be a great writer means you’re an even better reader! You can see what an author’s doing within a text when you understand the basics character and story construction.)

Super Susan is a character I invented when I was about eight or nine–I even incorporated my original artwork into the cover. (Susan was colored in crayon, and has glue-and-glitter letters and yarn braids.) I discovered her in some of my archives, and thought her power (super kindness!) was just really timely. The story is also short, making it a great classroom read-aloud.

THE ADVENTURES OF SUPER SUSAN recently got a nice write-up as a new release in the Petersburg Library. You can read it here.

Purchase links:



Using the Superhero journal? Feel free to use this short trailer in your classrooms to get your kids excited about writing their own superhero story. And feel free to get in touch for a Skype: click the black square in the upper right corner of the site for the contact page.

May this be the best year yet!


Haunted creek


In November of 2015, I wrote a short story called “Come December.” I’d been a hybrid author for several months (meaning I’d released four books through traditional publishing houses, and two novels independently, through channels like Kindle Direct Publishing, iBooks, Kobo, and Nook Press). What I loved about indie publishing was that the door was literally wide open: I was free to go where my heart wanted to take me in terms of subject matter and style, and even length. The ultimate writer’s playground.

I’d been writing full-length novels solidly for years, and wanted to get back to an old love: the short story. It would be a joy to sit down and write a shorter piece—something I could draft from beginning to end in a single sitting. As busy as we all are, I thought my readers would feel the same way—happy to be able to sit down and devour a story from beginning to end all in one gulp.

“Come December” took off during the holiday season, finding its way onto the e-readers, tablets, and laptop screens of readers who were being introduced to my work for the first time. I was absolutely delighted to hear from so many of them, who were taking time from their own holiday hustle and bustle to shoot me e-mails. The response was so positive (and I’d had such a great time with it) that I was convinced I needed to continue telling the tale. I decided I’d offer a new installment once a month throughout 2016, and that each new story would be titled after the month of its release.

But in what way did I want to continue? Did I want to follow along with the adventures of Natalie, the new girl who rolled into town in “Come December?”
Well—not exactly. It was the town itself I found the most intriguing. Already, I had depicted a kind of mystical place in “Come December.” Like my readers (and Natalie), I had only just crossed the city limits. I wanted to learn more about this new place.

In “January Thaw,” I introduced two new characters (Natalie took on a supporting role), but the central focus was on the town itself. Finley had become the main character of my ongoing series. “Forget February,” the third installment, allowed me to dive into its history. To relate the legend of Amos Hargrove, the town founder. A new question arose: was Amos simply a town-wide superstition? Or were the stories about him true? Could Finley be not just a quaint town, a lovely town, but a place that was literally fueled by something—well—otherworldly? Was it enchanted? Did the spirit of Amos Hargrove have a hand in manipulating the events that took place? I couldn’t wait to return every month.

As the series progressed, I wove together historical and contemporary scenarios. In addition to the legend of Amos Hargrove, the Civil War soldier desperate to reunite with the spirit of his sweetheart (who died before Amos’s return from battle), we have stories of modern-day relationships: new loves, old loves, friendships, engagements, couples who have been together decades, couples who are still learning about each other. We see Finley through the eyes of some of the younger residents, and through the eyes of the oldest.

In the end, Forever Finley became an episodic novel. Which is just a fancy way of saying each story can stand on its own. But together, they all build toward a single ending, in the same way that chapters in a novel all build to the final conclusion.
Finley has become one of my favorite places to visit—and I hope you’ll enjoy your own journey through its borders as well.

Best wishes in reading—
Holly Schindler

Snag a copy of Forever Finley:






51dhmvjqm1l-_sy346_First, I have to thank you guys for grabbing copies of MILES LEFT YET. I originally released the book in ’16, and it’s always been one of my faves, but it just never managed to get in the hands of as many readers as I’d hoped. A new cover, a little advertising, and voila! It’s finally starting to get out in the world. In the last month, I moved triple the entire lifetime sales of the book.

But ads alone don’t give a book legs. I know this book is starting to move because of word-of-mouth with my readers. So I have to take a moment to thank anyone who has personally recommended the read.


A New Request

If you enjoyed MILES LEFT YET, I do hope you’ll take a moment to leave a review on Amazon. Just a sentence or two helps tremendously. Right now, the book’s reviews on Amazon remain fairly low. Upping the number of reviews will help me expand into a new round of advertising, getting the book into the hands of new readers, who can work their magic again with word-of-mouth.

I can’t emphasize enough how much authors appreciate reviews…

Like Norma? Keep reading!

Haunted creek

If you liked Norma (who emerges, I think, as the real star of MILES LEFT YET), please do check out FOREVER FINLEY. This one centers on the mystical small town of Finley, the town the Norma drives into at the end of MILES. FOREVER FINLEY is an “episodic novel,” meaning that it’s constructed of loosely connected, stand-alone stories. Each story works together to culminate to the book’s magical conclusion. A new cast of characters is introduced in FOREVER FINLEY, but Norma makes an appearance fairly early on (you’ll find her in the stories titled “Dearest March…” and “A Hundred Julys”).


I’ve also done a little repackaging of FOREVER FINLEY–new cover, etc.–and to celebrate, I’ve reduced the price of the e-book to $1.99 temporarily. It’s available as a wide release at:





I’ve also got a few signed paperback editions of FOREVER FINLEY at my Etsy store!

I hope you’ll decide to spend some time in the town of Finley. It’s become one of my own favorite places to visit.


I remember the first time I connected with a book. The Pain and the Great One, a picture book by Judy Blume.  It’s about sibling rivalry–younger brother, older sister. And it was just so much like me and my brother, it was scary. The girl played piano (I started taking lessons when I was pretty little), and the boy was kind of a rascal, always knocking over her towers of blocks, etc. If I remember right, in my edition, the kids even had a cat (we had two). It was my life there on the pages. Judy Blume got it. She knew exactly what it was like to be me. It was like she had been in my head somehow.

That’s what initially hooked me on reading: finding those books that seemed to tell my own life experience. It’s a powerful thing to have your own thoughts spit back at you. Makes you feel like there are all sorts of people going through exactly what you’re going through.

Now, though?

I find myself gravitating more and more toward people or situations totally unlike my own. I’m developing a real thing for classic sci-fi (Invasion of the Body Snatchers). And I really love anything by Kurt Vonnegut. I just really like spending time in his head. I like looking through eyes unlike my own.

I’m not sure if that’s a result of growing older or a result of the times. A need for escapism, maybe? Then again, according to what we see on the nightly news, it’s becoming harder and harder for us all to do just that–look through each other’s eyes, see from another point of view. It’s a skill I hope we never lose.


This is no way is my own original advice. I’ve heard it from various writers–it seems I’ve heard it somewhat frequently over the past year or so. But I’ve begun to consider my initial outline my first draft as well–and I’ve come to think it’s some of the most powerful advice anyone can get regarding drafting a new book.

Even if you think you’re a pantser, I’d encourage you to outline. Here’s the thing: THE OUTLINE DOESN’T HAVE TO BE THE FIRST THING YOU DO.

Seriously. It doesn’t. If you need to write some scenes to get a feel for the piece, do it. If you want to write character sketches and brainstorm and play, do it. If you want to put on a pot of coffee and disconnect from the Internet and plow through 10K words, do it.

But after you get a feel, after you’ve “pantsed” a bit, outline the book as a whole.

Here’s another thing: OUTLINES DO NOT HAVE TO BE, WELL, OUTLINES. Write in paragraphs. Write in lists. Whatever works. This is a tool for YOU, after all, not for anyone else.

However: AN OUTLINE IS NOT A ROUGH IDEA. It is specific. It’s detailed. If you don’t know in detail what happens in every single chapter in your book and why, you are not done with your outline yet.


I’m going to use the word “you” here in order to state my points, but really, I’m talking about my own experiences:

*Because it’s waaaaay faster than writing a full first draft, which is inevitably a mess. NaNoWriMo participants strive to write 50K new words in a month, and it is HARD. In order to achieve word count goals, you often just start throwing junk down. Writing an outline can be done in far less time and sweating far less blood. Think of how much detail you could put into an outline if you gave it your full attention to it for two weeks!

*Because you’re throwing waaaaay less into the trash. I used to speed-draft through my first drafts. I was all about 5K-word days. And frankly, I wound up ditching more than half of what I wrote. I’m not quite sure what the point is anymore. Why wear yourself out writing a draft your not going to use for the most post?

*Because if you throw out 50%+ of a manuscript, you still haven’t nailed down what it’s about. So you’ve spent at least a month–probably more like two or three–working on a project you don’t understand yet. Outlining, in my experience, is a far better method for “finding” the heart of your novel.

*Because it’s also waaaaay easier to get feedback on an outline. No reader wants to try to make sense of your mess of a sloppily written first draft. It’s much easier for them to wrap their minds around an outline. Better yet, put your outline in front of you and TELL your “reader” the story. Get their ideas and impressions about the storyline before you sit down to write draft #2.

One more thing: OUTLINES ARE MEANT TO BE ADJUSTED. Of course, as you head into the second draft of a book, you’ll come up with new ideas, new insights, etc. At this point, you need to stop what you’re doing and come back to your outline, tweaking here and there accordingly.

Treating an outline as a draft has helped me immensely–I hope it works for you, too!



So many blog posts are all about what writers have already figured out. They’re tips and tricks that have been dug out through a (frequently long) period of trial and error.

This time around, I thought I might disclose something I’m working on–something I’m not even close to figuring out:

How to manage daily expectations.

I’m a big believer in setting goals. I know in my mind where I’d like to be with a current project by, say, the end of the week. And I know how many words I need to write or chapters I need to revise, etc. in order to meet those goals.

But when I fall short one day? I kind of beat myself up.

What keeps me from meeting certain goals is never stupid, either. It’s not like I’m binge-watching TV or playing solitaire. Usually, it’s because–well–life happens. As it inevitably does. I go to mow the lawn and the battery’s dead (which means I’m now making an extra shopping trip). It’s because my aging dog has an upset stomach. Or the roof is leaking. Or I’m figuring estimated taxes. Or my brother needs me to head on a buying trip for his business.

Or, or, or…

I mean, I know it’s not JUST about writing. Life has to be lived. And not just a chore-filled life, either. A life in which you eat ice cream and roll down the windows and laugh until your sides ache. A life in which you meet new people and talk to old friends. A life in which you get sunburned and maybe even scrape an elbow or two because you’re still, even now, trying new things.

But I can’t help it. I have a hard time NOT beating myself up for goals not met.

Any pointers anyone might have on the subject?