Schedule a Play Date (Tip for Book Drafting)

I do not like writing the first draft. Of anything. At all.

Luckily for me, it seems the first draft is really the smallest writing task. Especially when compared to the hours required for global rewrites, line edits, copyedits, cover creation, formatting, and marketing.

BUT: Over the past few months, I did discover a first-draft technique that’s helped. A lot.

I’ve been working on my current WIP during the day (for the past several months, this has involved a lot of copyediting and revising). And at night, I give myself play time.

That’s right–I curl up with my dog and a cup of tea and the laptop, and put on some sort of banal TV I won’t pay too much attention to. And then I play with some idea that’s intrigued me. I write sample chapters or an outline. Random passages. I just tease out the idea.

By the time I get done copyediting one book, I can then take my playtime draft and begin to revise and reorganize and tidy it up…do the revision work I prefer. And when night rolls around, I can play with yet another idea.

The thing is, the playtime at night doesn’t really feel like work–I don’t have any kind of deadline or need to get any number of words down. I’m just messing with this thing at this point. It’s all idea generation. (I LOVE brainstorming, by the way. Just don’t like the initial draft.)

I’m finding the feeling of play really helps the writing–adds a new kind of life to the pages.

Try it out–schedule your own play date. Could be at night, maybe during lunch. Or schedule one day a week as a play date. Just to mess with some idea you’ve had in your head a while. Maybe a poem. Or a picture book. A short story. Just go for it. See what happens. Maybe nothing. Maybe something that you never would have had otherwise.

I mean, we got into this because writing was fun, right? It should always be fun…

WRITING YOUR NOVEL: TREAT YOUR OUTLINE AS THE FIRST DRAFT

This is no way is my own original advice. I’ve heard it from various writers–it seems I’ve heard it somewhat frequently over the past year or so. But I’ve begun to consider my initial outline my first draft as well–and I’ve come to think it’s some of the most powerful advice anyone can get regarding drafting a new book.

Even if you think you’re a pantser, I’d encourage you to outline. Here’s the thing: THE OUTLINE DOESN’T HAVE TO BE THE FIRST THING YOU DO.

Seriously. It doesn’t. If you need to write some scenes to get a feel for the piece, do it. If you want to write character sketches and brainstorm and play, do it. If you want to put on a pot of coffee and disconnect from the Internet and plow through 10K words, do it.

But after you get a feel, after you’ve “pantsed” a bit, outline the book as a whole.

Here’s another thing: OUTLINES DO NOT HAVE TO BE, WELL, OUTLINES. Write in paragraphs. Write in lists. Whatever works. This is a tool for YOU, after all, not for anyone else.

However: AN OUTLINE IS NOT A ROUGH IDEA. It is specific. It’s detailed. If you don’t know in detail what happens in every single chapter in your book and why, you are not done with your outline yet.

WHY YOU SHOULD CONSIDER AN OUTLINE FOR A FIRST DRAFT:

I’m going to use the word “you” here in order to state my points, but really, I’m talking about my own experiences:

*Because it’s waaaaay faster than writing a full first draft, which is inevitably a mess. NaNoWriMo participants strive to write 50K new words in a month, and it is HARD. In order to achieve word count goals, you often just start throwing junk down. Writing an outline can be done in far less time and sweating far less blood. Think of how much detail you could put into an outline if you gave it your full attention to it for two weeks!

*Because you’re throwing waaaaay less into the trash. I used to speed-draft through my first drafts. I was all about 5K-word days. And frankly, I wound up ditching more than half of what I wrote. I’m not quite sure what the point is anymore. Why wear yourself out writing a draft your not going to use for the most post?

*Because if you throw out 50%+ of a manuscript, you still haven’t nailed down what it’s about. So you’ve spent at least a month–probably more like two or three–working on a project you don’t understand yet. Outlining, in my experience, is a far better method for “finding” the heart of your novel.

*Because it’s also waaaaay easier to get feedback on an outline. No reader wants to try to make sense of your mess of a sloppily written first draft. It’s much easier for them to wrap their minds around an outline. Better yet, put your outline in front of you and TELL your “reader” the story. Get their ideas and impressions about the storyline before you sit down to write draft #2.

One more thing: OUTLINES ARE MEANT TO BE ADJUSTED. Of course, as you head into the second draft of a book, you’ll come up with new ideas, new insights, etc. At this point, you need to stop what you’re doing and come back to your outline, tweaking here and there accordingly.

Treating an outline as a draft has helped me immensely–I hope it works for you, too!