That might sound a bit odd. We’ve done plenty of brainstorming, but now, we’re jumping right into the middle? Without addressing the beginning of the book?
As I said before, the idea of outlining is to take a big project (writing a novel) and break it into manageable chunks. That doesn’t mean meticulously plotting from beginning to end. For me, it means gathering all the pieces of the novel and then sliding them into the appropriate place.
So. The turning point.
I find this beat in any novel particularly interesting, and have ever since I encountered James Scott Bell’s WRITE YOUR NOVEL FROM THE MIDDLE.
The idea is that every main character encounters a turning point in the center of the book, after which their attitude and behavior begins to change. They have a mid-point epiphany. Or something life-changing happens. They may realize something about their enemy (perhaps they realize they’ve been chasing or blaming the wrong person). At the mid-point, they change direction.
What I really love about this strategy is that it plays right into creation of the character arc. Writers always use the term “character arc.” Not character line. Character arc. Picture an arc in your mind. Has the same shape as a rainbow, doesn’t it? Right in the center, it has a…
In order for the full character arc to be believable, something drastic needs to happen to your main character in the center of the book. Remember, no one ever changes their mind on a whim. Something has to happen to a person to change their mind. They have to have some sort of experience that changes them.
Here, you want to brainstorm an event that can happen right at the center of your book, one that will change your main character for the better. The change won’t happen in its entirety in this moment–it will continue to take place for the rest of the book. But the trigger for the change to occur happens here.
Go on–get to brainstorming!